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where film criticism goes to die
Episodes
Festival Coverage
Video Essays
Writing
Featured
Sep 25, 2018
Assassination Nation (2018) by Sam Levinson
Sep 25, 2018
Sep 25, 2018
Sep 25, 2018
Non-Fiction (2018) by Olivier Assayas
Sep 25, 2018
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Sep 25, 2018
High Life (2018) by Claire Denis
Sep 25, 2018
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Sep 25, 2018
Roma (2018) by Alfonso Cuarón
Sep 25, 2018
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The Old Man & the Gun (2018) by David Lowery
Sep 25, 2018
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First Man (2018) by Damien Chazelle
Sep 25, 2018
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Maya (2018) by Mia Hansen-Løve
Sep 25, 2018
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Climax (2018) by Gaspar Noé
Sep 25, 2018
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If Beale Street Could Talk (2018) by Barry Jenkins
Sep 25, 2018
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Burning (2018) by Lee Chang-dong
Sep 25, 2018
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American Dharma (2018) by Errol Morris
Sep 25, 2018
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Everybody Knows (2018) by Asghar Farhadi
Sep 25, 2018
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Halloween (2018) by David Gordon Green
Sep 25, 2018
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Wavelengths 2: Another Brick in the Wall (2018) by Various Filmmakers
Sep 25, 2018
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Sep 25, 2018
Firecrackers (2018) by Jasmin Mozaffari
Sep 25, 2018
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22 July (2018) by Paul Greengrass
Sep 25, 2018
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The Grand Bizarre (2018) by Jodie Mack
Sep 25, 2018
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Monrovia, Indiana (2018) by Frederick Wiseman
Sep 25, 2018
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A Star is Born (2018) by Bradley Cooper
Sep 25, 2018
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Tito and the Birds (2018) by Gabriel Bitar, Gustavo Steinberg and André Catoto Dias
Sep 25, 2018
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Sep 25, 2018
Out of Blue (2018) by Carol Morley
Sep 25, 2018
Sep 25, 2018
Sep 25, 2018
Wavelengths 1: Earth, Wind & Fire (2018) by Various Filmmakers
Sep 25, 2018
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Cold War (2018) by Pawel Pawlikowski
Sep 25, 2018
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Mouthpiece (2018) by Patricia Rozema
Sep 25, 2018
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Vox Lux (2018) by Brady Corbet
Sep 25, 2018
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The Front Runner (2018) by Jason Reitman
Sep 25, 2018
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The Predator (2018) by Shane Black
Sep 25, 2018
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Styx (2018) by Wolfgang Fischer
Sep 25, 2018
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Girls of the Sun (2018) by Eva Husson
Sep 25, 2018
Sep 25, 2018
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The Vice of Hope (2018) by Edoardo De Angelis
Sep 25, 2018
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Featured
Sep 25, 2018
Greta (2018) by Neil Jordan
Sep 25, 2018
Sep 25, 2018
Sep 25, 2018
Hotel by the River (2018) by Hong Sang-soo
Sep 25, 2018
Sep 25, 2018
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