Retro Review by Zach Dennis
The Quiet Man seems a little off from some of Ford's more interrogative work — The Man Who Shot Liberty Valence and The Searchers — where he took this idea of the American West and challenged it both in its characters and how people perceived this "idyllic past." But this film also doesn't want to — or have to be — like that. The charm is in the intensity of these characters and the fulfillment — and execution — of their various passions.
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