Review by Lydia Creech
Godzilla films have always been best when looking politics right in the face, and Anno upholds and updates that tradition here.
Read MoreReview by Lydia Creech
Godzilla films have always been best when looking politics right in the face, and Anno upholds and updates that tradition here.
Read MoreReview by Ben Shull
Aleksandr Solzhenitsyn once noted that “the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?” That very question is the crux of this film. Evil is ugly, yet a blackened heart begets it again and again and again.
Read MorePersonal Essay by Courtney Anderson
I have to be honest and say that I don’t believe in total “universality” of films, especially not Moonlight. Chiron’s narrative is one that is so often ignored that the idea that “everyone” can find themselves in him confuses me. But I know Chiron.
Read MorePersonal Essay by John McAmis
It’s a harsh truth, but any human who testifies that they enjoy being alone is lying.
Read MoreReview by Nadine Smith
What makes Allied so fascinating is not just its deliberate and obvious employment of artifice in form, but its engagement with constructed surfaces as its very subject. Allied is all about the artifice not just of espionage, but of acting (and filmmaking) itself: the film is stuffed with numerous rehearsals, auditions, and bad accents that draw attention to its own exterior. Only the love is real.
Read MoreThis list features writing by Zach Dennis, Andrew Swafford, Jessica Carr, Nathan Smith, Malcolm Baum, and Ben Shull
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Read MorePersonal Essay / Retro Review by Andrew Swafford
Last month, I got engaged--and it has got me thinking about one of my personal favorite love stories.
Read MoreReview by Zach Dennis
Fantastic Beasts succeeds in its base goals, but never transfixes us like its predecessors did. It seems to suffer from a similar issue as superhero movies in that it forgets to construct an engaging story amidst the wonder happening around it.
Read MoreReview by John McAmis
Themes of family, independence, friendship, and self-discovery are ripe in Moana. These are Disney themes, but again, they seem new this time around. Fresh. Exciting. Surprising.
Read MoreReview by Andrew Swafford
On screen, clever teenage banter is funny; in real life, it’s equal parts awkward and annoying. Edge of Seventeen plays it both ways, smartly understanding the fact that the dialogue its genre has become known for contains a stilted sadness; it is symptomatic of the largest teenage ailment: egocentrism.
Read MoreReview by Andrew Swafford
Arrival fulfills one of our most fundamental desires as moviegoers: the desire to be amazed.
Read MoreReview by Zach Dennis
Doctor Strange treats many of the previously seen symptoms of the studio’s movies with an unmatched energy, but it also comes up just as hollow. The visuals are enticing, the characters are entertaining, but in the end, it never adds up to much and my experience flat-lined on the operating table.
Read MoreReview / Personal Essay by Paige Taylor
Warning: Review contains spoilers
This was the sapphic delight I've wished for for so long.
Read MoreReview by John McAmis
As a budding filmmaker who’s dealt with making documentaries around personal events and familial relations, I was immediately captivated by Kirsten Johnson’s approach to her cinematic memoir.
Read MoreThis list features writing by Zach Dennis, Andrew Swafford, Lydia Creech, John McAmis and Ben Shull.
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Read MoreReview by Andrew Swafford
The Wailing is a demonic epic that is equal parts Zen and Brimstone. It grabbed me and has not let go.
Read MoreReview by Zach Dennis
Miss Hokusai has beautiful elements, and a lead character that is engaging and interesting, but I’m not sure it painted a full picture.
Read MoreReview by Jessica Carr
For Star (Sasha Lane), the dream is to live in a trailer somewhere with lots of trees and room for lots of kids, and I’m so thankful to see a film that shows me what her life is like.
Read MoreReview by Lydia Creech
It’s… complicated, which sounds reductive. It’s off-putting, which sounds reactionary. It’s “also a comedy,” according to star Isebelle Huppert. Thank God for Huppert. Her performance as Michèle is truly incredible (one of the best of the year) and gives the audience something to hold on to.
Read MoreReview by Andrew Swafford
Flannery O’Connor once said that “while the [American] South is hardly Christ-centered, it is most certainly Christ-haunted.” The same, I imagine, could be said about Iran and Islamic Fundamentalism, and visualizing that haunting is where Under the Shadow movie really succeeds as a piece of art, if not a perfect genre picture.
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